Tuesday, December 1, 2009

December 11 - BOBSC is proud to present Grammy Nominee Randy Mcallister

Randy McAllister is one of the premier singer, songwriter, multi-instrumentalist to emerge from Texas. Heartbreak, humor, high hair and tall Texas tales all play a part in the song writing of Randy McAllister. His music has been hailed as some of the most original and innovative being made today. While comparison's are not easy, it has been said that his music is a cross between Doug Sahm, John Hiatt and Delbert McClinton, with a blues man's background and sensibilities thrown into the mix.

Raised in the small Texas town of Novice, McAllister is a fifth-generation Texan, whose father was both a fireman and musician. His father was a drummer in a band called "The Flames". At a very young age, Randy followed in his fathers foots steps. He began to take up drumming, but the drums were just the beginning for Randy, as he began to develop as a singer and songwriter.

"If Mark Twain had envisioned a 21st century roots musician, he might have created a character like Randy McAllister, with an easy-going persona and a wry, and an observant wit. McAllister weaves material in the singer/songwriter tradition, with nods to a variety of styles. He is one of those rare artists who is able to meld genres such as gospel, blues, country, Tex-Mex, rock and zydeco together and come away with something that is uniquely him.

**In performance, his songs combine an uncontainable energy and intensity with lyrics that dig into the tough topics. From urban violence, homelessness and other harsh realities to more common concerns like love and dating, McAllister's songwriting approach is particularly skillful, able to be both truthful and funny. McAllister takes universal feelings and translates them into today's reality, with his own pointed style expressed through his distinctive, soulful voice."

McAllister has released 7 critically praised albums beginning with his debut "Diggin' for Sofa Change", followed by "Grease, Grit, Dirt and Spit", the much heralded "Double Rectified Bust Head", 2002 GRAMMY NOMINEE "Givers and Takers", "Temporary Fixes" and A "Little Left of Center" all built on a firm foundation that is his songwriting. His much anticipated Compilation CD, "Flying High While Staying Low Down" was released in late 2006. Most recently Randy released, "Dope Slap Soup" in June of 2007.

December 10 - Special Event: 7pm John Németh

John Németh is a rising blues star; a singer steeped in the tradition and reminiscent of B.B. King, Ray Charles and Junior Parker, and a harmonica player of riveting intensity and virtuosity. His decade long career has found him opening for Robert Cray, Keb Mo', and Earl Thomas. Performing major music festivals around the United States, Europe, Canada and Asia has brought him critical acclaim.

ohn's origins are an unlikely breeding ground for such an impressive blues talent. A thirty year old native of Boise, Idaho, he grew up singing in a Catholic church and started playing in local bands as a teenager.

Németh was a featured artist with Anson Funderburgh and the Rockets in 2005 and 2006 as well as a featured artist with The Junior Watson Band in 2002. The Cascade Blues Association selected Németh as a crowd favorite at the Portland Waterfront Blues Festival in 2002, and the Washington Blues Society called him the show stealer at the Winthrop Rhythm and Blues Festival in 2003. Greg Johnson of Blues Notes writes, "John Németh possesses rich harmonica tone that easily brings to mind Sonny Boy Williamson and Little Walter."

John recorded "Come And Get It" with the Junior Watson Band in 2004. The album received rave reviews and scored well on the independent blues radio charts. When John signed a multi-record recording agreement with Blind Pig Records in 2006, label head Jerry Del Giudice expressed "how impressed I was with John's performance the one time I got the chance to see him. In our nearly 30 years in the business we have never before offered a new artist a recording contract on the strength of one performance."

The buzz around John Németh is substantial, and his Blind Pig debut, "Magic Touch," delivers the goods in spades. From the opening track, an ambitious and fully realized reworking of Junior Wells' classic "Blues Hit Big Town," John's emotive, smooth voice and stellar harp playing introduce a virtuoso of rare depth and power. John's uncanny blend of retro-modern blues and soul music will delight purists and young hipsters alike. Produced by Anson Funderburgh and featuring Junior Watson on guitar, "Magic Touch" is destined to be one of the most remarked upon releases of 2007.


Quotes
"Classic soul and R&B styles have been revitalized in recent years by a cadre of young and relatively young artists such as James Hunter, Eli "Paperboy" Reed, and Sharon Jones. You can include John Németh on any list of the best of them."
Nick Cristiano, Philadelphia Inquirer, Feb 2009

"You could swear he was freeze-dried in the 1960s, as the music has a driving, rock-'n'-soul punch that makes him seem spiritual kin to long-gone stompers Sam Cooke, Otis Redding and Jackie Wilson."
Jonathan Takiff, Philadelphia Daily News, Feb 2009

"I remember telling friends up North in '80 that they should go see Stevie Ray Vaughan, but they weren't impressed because he wasn't famous yet. It will give me great pleasure to say, "I told you so!" about John Németh. You'll see."
Bob Margolin, Blues Revue Magazine, Dec/Jan 2005

"Definitely one of the best club shows that I've ever seen. John Németh is simply the Blues artist that I feel is most deserving of more recognition. Check the man and his band out whenever you might get the chance."
Don "T-Bone" Erickson, BluesWax, 2004